Catscan, 1988

color, sound
12:46 min.

Catscan is a group performance within a chaotic density of projected images and office furniture, motivated by Egyptian funerary rituals of mourning, grief and spirits of the dead. It sustains aspects of Schneemann's previous works built with dream instruction, positing the interchange of intimacy and physicality, the erotic and the obscene, the incubation of dream enactment. Catscan centers on the death of a beloved cat as a means to ritualize more universal mourning and to bring forward ghosts of the past. As a ritual consecration, Schneemann, blindfolded, dances out of 20 yards of red fabric wound around her body.

The performance, which had a duration of approximately 90 minutes and variously featured 5 to 8 performers, included a slide projection system, 15 video monitors, ladders, furniture, suitcases, and debris.

Performances took place at:
Beyond Baroque, Venice CA (1987)
Performing Language, State University of New York Binghamton (1988)
Medicine Show Theatre, New York (1988)
Edge 88, performance festival London (1988)

The video stills are from footage by Victoria Vesna of the 1988 NY performance.

a center figure in a purple shirt and jeans in hunched over, with a red tabletop on their back; in the background, two other figures in purple and green cralw on the grey floor.
image of a figure in green tights and metalic green shorts; a long, red strip of fabric is wrapped around their waist and eyes, and is held in both of the figure's hands.
two figures are laying between rungs of a red ladder, laying in opposite directions and embracing one another; the figure closer to the viewer is in a white shirt and green and purple pants; the other is in a green shirt and grey jeans
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Parts of a Body House Book, 1972
Eye Body: 36 Transformative Actions for Camera, 1963
Plague Column: Known Unknown, 1995